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Re: Science Saturday: Astronomical Edition
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I agree with the rest of your comments. In case I didn't make it clear enough before, let me restate that bad science in scifi that serves no purpose other than catering to the laziness of the screenwriter bugs me as much as it does anybody. I don't enjoy most scifi that drifts toward the fantasy end of the spectrum for the same reason. It drives me bananas when, on page 193, the hero is in a corner and from out of nowhere, some new magic power is introduced. |
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My mother has a plaque with a piece of metal, a coin made from the melted down metal from the Apollo 11 command module - given to her (and many others) as a celebration of the moon landing. Do you have any idea how hard it would have have been to keep a conspiracy of the magnitude you blithely suggest under a hat for this long? How many smart people would either have to have been tricked or co-opted until they died? (Many of them are still very much alive.) It's lunacy (literally!) to believe in a conspiracy of that magnitude. Why does every crackpot decide that Occam's Razor is only good for the next guy? There must be some Russell/Occam barber paradox at work here. |
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Ever read Peter F Hamilton's "Night's Dawn" series? It's a rollicking space opera that just keeps getting more and more dire - a great read for over a thousand pages and then Wham! the biggest, dumbest, most literal deus ex machina solution ever published. I haven't read a single book by him again.
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No, I was not referring at all to the 'nanny state'. This may be more a product of my personality but it always sort of struck me as hypocritical that people I knew who often ridiculed religion (I'm an agnostic myself but a foxhole catholic) also often refer to 2001 (and to a lesser extent, Contact) as 'a religious experience' that seemed to cater to their beliefs in some form of heaven or supreme beings. Quote:
I also think of nannies as gardeners but I don't remember that term from the book (I read it in the early 70s). And to be completely honest, I much prefer the short story The Sentinal more than the 2001 film and book combined (notwithstanding Kubrick's technical brilliance). It was absolutely brilliant, had a terrific ending and laid the greatest thump to that thing which makes all science fiction great, our imagination. I can easily see how it inspired Kubrick to begin the process. |
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As another example of the failure of general statements to cover all cases, I hate disco, but I love this song. As you say, go figure. |
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Makes me think of a Misery-like scenario, in which you would kidnap Hamilton and force him to rewrite the ending. But after you got over the shock of the immediate annoyance, did you feel the first 95% was, in the end, worth it? |
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The part I hated most about that movie (I liked it okay, overall) was when the kids went into the control center, looked at a generic third-party graphical thingy on a computer screen, and said, "Oh, it's Unix! I know that!" Come to think of it, I'm hard-pressed to name any scene in any movie involving a computer where I didn't wish to have the screenwriter's knuckles within reach of my ruler. I'd like to emulate Jennifer Ouellette and form an computer geeks' advisory committee to help Hollywood cut down on this aspect of bogosity, too. Quote:
For some, though, I'd say that calling something "a religious experience" is just a cultural linguistic artifact, much along the lines of me, an atheist, expressing exasperation by saying, "Good Lord." These are words that have long denoted the highest, farthest, most intense, etc. For the only other route, one is limited to proposing a neologism with the suffix -gasm to about twice before it becomes really irritating. Quote:
For myself, I guess I don't have much of a problem with, as I called it before, the conceit of postulating a superior alien species that is interested in life on Earth (and elsewhere in the galaxy), be it the makers of the monolith, the responders in Contact, the Heechee, or even, as with Heinlein, Author. Quote:
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Then I got to about page 317 and found forty pages were missing. Not torn out, just missing. And it was immediately clear from page 357 or whatever that it was not just a numbering goof -- somehow, they truly had omitted twenty sheets during manufacture. Curiously, for a time, I held this against the author. |
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Oh, wait. Yeah, I've always thought "I Feel Love" is different, somehow, while being unsure that I wasn't just rationalizing. I do think one thing that appeals to me is that it has dynamic shifts, with the chorus, especially, so it seems more like music than a skipping record permanently stuck in the same groove, the way most disco does. Plus, Donna Summer can flat-out sing; even if it's the same three words over and over, that voice is a real musical instrument. |
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I'm pretty much fully with bjkeefe. (A minor deviation might be that some specific claims of creationists are indeed subject to scientific inquiry through geology, cosmology, evolutionary science, paleontology, etc.)
Really, though, if you look hard enough at most of these fringe claims, they fall apart. If you want to jump through enough mental hoops, you can believe anything (the fact that there is still a Flat Earth Society should substantiate that), but anyone predisposed to look critically at the evidence presented without preconceived biases can pretty easily suss out what the truth is. |
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I would add that my dad worked for Grumman/Pratt&Whitney as a metallurgist and worked on metals for the LEM, based on specific conditions of the moon's atmosphere. So while the gov't could have doled out huge contracts to employ people like him for nothing more than a farce, is technically possible...I doubt it.
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I know I've said it before, but I highly recommend George Johnson's "Architect's of Fear" for an excellent look into conspiracy theories. His focus is more on geo-political, mason-illuminati/zionist/council-on-foreign-relations type theories, but the spirit is no different than the science-based fringe theories. He touches very well on what exactly makes people so eager to embrace these theories that stretch the limits of logic (to put it mildly.)
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While I hardly read fiction any more (for some reason I just got burnt out). This thread made me think of sci-fi fiction from my past. If I was asked to recommend a few, they might be: The Enemy Stars - Poul Anderson Way Station - Clifford Simak The Gap Cycle (series) - Stephen R Donaldson Starship Troopers - Robert A Heinlein (great novel, film of same title is almost unrelated) A Fall Of Moondust - Arthur C Clarke Imperial Earth - Arthur C Clarke Whipping Star - Frank Herbert The Caves Of Steel - Issac Asimov Foundation (series) - Issac Asimov Footfall - Larry Niven and Jerry Pournelle PRESS ENTER■ - John Varley The Stainless Steal Rat - Harry Harrison Bill, The Galactic Hero - Harry Harrison Short Stories Anniversary - Issac Asimov The Sentinal - Arthur C Clarke yeah, it's been a while since I cracked a sci-fi book. |
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The ones on your list that I have read I'd agree were all at least very good, and most I'd call great. I'm interested that Starship Troopers was the Heinlein book that came to your mind. I thought that was good, but I liked at least half a dozen others better -- The Moon is a Harsh Mistress, The Cat Who Walks Through Walls, The Number of the Beast, Friday, Stranger in a Strange Land, Citizen of the Galaxy, Farnham's Freehold, Time Enough for Love, all the novellas in The Past Through Tomorrow, Double Star, Door Into Summer, Job: A Comedy of Justice ... okay, that was more than six. I could say something similar, but less pronounced, about Clarke. Maybe more precisely, just add The Fountains of Paradise, Rendezvous with Rama, 2001, 2010, and 2061. and Childhood's End, at least. (Maybe you just didn't make a comprehensive list, and I'll spare you a list of the twenty or so other Asimovs I've loved as much as the ones you said.) I'd add a bunch by Frederick Pohl to the top shelf, especially the Gateway (aka Heechee) series. I'd add The Legacy of Heorot by Niven, Pournelle, and Barnes, and the Motie duology and Lucifer's Hammer, by Niven and Pournelle, to the top shelf as well. Ditto a couple by Neal Stephenson (Snow Crash and Cryptonomicon), although how much the latter is SF is debatable. Make the S stand for speculative as a dodge, I guess. More from the old school: The Martian Chronicles and Fahrenheit 451 by Ray Bradbury, and The Time Machine by H. G. Wells. Oh, and one more classic: Walter M. Miller's A Canticle for Leibowitz. That's on the shortest of short lists. Apart from Stephenson, I haven't come across much I've liked in at least the past decade, not that I'm really looking that hard. Maybe, like you, I burned out, or just had my tastes change. It does seem to me, though, that what I've picked up and flipped through lately is less "hard" SF than I prefer (preferred?), although it has to be admitted that the Foundation series -- among my all-time favorites -- is hardly hard SF. I think in a lot of cases though, what really appealed about the old masters was that they were set in this solar system, and being a kid of the Apollo age, that seemed possible (within my life) for a few happy years. Of course, once I found out the Moon landings were faked, it all went downhill from there. ;^) |
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The ones I listed were just ones that came to mind when I posted but on refelction they all are among my favorites. I really think Starship Troopers is one of Heinlein's best not because of the science but more for the first person view of the soldier and how interstellar war may be more complicated but grunts are still grunts and sergeants are still sergeants.....and the enemy is still the enemy. Most of my reader friends claim Stranger In A Strange Land is Heinlein's masterpiece but I couldn't get into it. I much prefer ST, Friday and Job Varley is very very good. I can't believe PRESS ENTER■ has not yet been made into a film because it is a great suspense story and not very long. |
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$BP |
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Yet another reason why Fox sucks. |
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